![]() “The hotel staff must’ve known not to put me in a room with a bunch of weird guys on the wall,” she says. She compares it to the painting in the lobby. The painting, titled “Mona,” portrays a woman who shares a striking resemblance to Nicholas – dark hair with tight curls, sharp brown eyes, a strong jawline. We’re wrapping up a conversation about privilege, gender equality and the zodiac when Nicholas, who’s become popular on Instagram as a kind of social-justice astrologer, notices a different art piece hovering behind her. It reminds her of the patriarchy, she tells me one rainy, starless night in February, as we take the elevator up to her hotel suite and sit on the couch. Chani Nicholas doesn’t care for the hulking Alex Katz painting, depicting a trio of suited white men, hanging behind the front desk of the Langham hotel in New York. ![]()
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